Wednesday, June 11, 2008
Stable disease! (and a guarantee)
Lunch
Monday, June 9, 2008
Two doors
She was off for a shot to her knee and some tuning to her new hearing aid -- this casual sentence, of course, doesn't begin to summon the long-term pain and disorientation underlying these events -- and she kept on talking about being "lucky." Lucky to have a hearing aid, albeit an insane, over-amplified one that makes every word she speaks sound to her like it is coming from a public-address speaker; lucky for the capacity to walk and work and care; lucky to have an option to (temporarily) dull the pain.
Being that good and wise would be insufferable, but P. is my friend and our family's caregiver. She also meant it. She also curses and tells great stories, which helps.
*
So, gratitude. I couldn't do luck -- I am lucky in so many ways, but the rather large unluckiness of my sarcoma means I'm not gonna be celebrating my good fortune, not on CT day. Trying for gratitude made me feel fizzy for a while. Then, of course, I forgot about it and started haltingly trying to empty the kids' bedroom for the imminent arrival of the flooring contractor.
I worked, and rested, worked, and then ran out of time and wrote a detailed note to P., who was coming later to help with the move. I felt like a dick, a specifier, an employer, a nanny diaries type -- but I decided that sometimes folks need to know exactly how they can help you. Besides, the least the note would give L. and I a gameplan to finish getting things straight, since P. obviously wouldn't have time for everything given her typically over-stretched day.
*
L. called. She couldn't come to the hospital because of a work emergency. My line was that it was all mechanics, a familiar routine. I had magazines, all was well. The bad part, the emotionally loaded part, is waiting for the results... getting up in the morning, going to the hospital, waiting and waiting again, the sudden click of the door, the air draining out of the room as you laser in on the doctor's body language before she can open her mouth.
The mechanics stuff sounded good, and it's often true, but today it was bull. My stomach started seething from the barium just as they called me in. They couldn't find a vein for the contrast, and when they did, it stung like hell (or, as the tech charmingly said, "smarted"). My back twisted into spasms on the table. Blah blah blah. The "word of the day" was far away.
My stomach twisted into knots again just as the stentorian CT voice demanded that I breathe and hold my breath for the last, slow pass through the doughnut. I managed to stay together and get into the bathroom. After I was crouched there for a while, sick, a constant stream of cawing commentary started up outside the door.
"What's going on in there? Could it really be occupied? It says 'occ', but I don't think it's really occupied. What's going on? This is ridiculous! I can't believe it's really occupied." Grating on and on like that.
My thoughts were two: first, weirdly, to reason with them for being unfair (I hadn't been in there that long.... had I?); second, to kill them.
When I pulled myself together and prepared to leave the room, disheartened and wondering if I should go to the ER, I decided to give them the meanest stare I could. I emerged and blasted the stink-eye. But just as I opened the door, they started laughing. I rounded the corner -- so typical of me -- before I started cursing them.
Their laughter, I realized after my fury became comedic, was just nervous embarrassment. They had been blind to me -- and me blind to them.
*
Leaving the hospital after a few more twists I won't bore you with, I felt a giddy sense of relief. But still no gratitude. We forget everything; even pleasures vanish so quickly from the mind.
I started worrying about the room and the contractor again, working up a lather of anxiety until I finally got up there and opened the door. What had been a morass of books and toys and bedding and mysterious plastic toy fragments was suddenly pristine.
I was shocked -- then, almost immediately, with a surge of the kind of joy that brims like tears, the word returned: gratitude.
Thank you, P., for that. (And a whole lot more.)
Saying thank you only signifies gratitude, it doesn't embody it in the way I want to, but I'll say it more anyway. Big thanks to mom and dad, who endured their own cataclysms helping us out on an oppressive day in the place formerly known as cold. Hell, while I'm thanking about it, thanks to Big T. (trial pseudonym), for the lift and for (I hope) giving me some reax to Barack's cycling clothes. And to L., for making me feel grateful every day.
This is like M&M's; I almost can't stop myself.
*
Results Wednesday.
Imagination and failure
The themes are imagination and failure -- but her treatment of them isn't what you'd expect:
So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had already been realised,... And so rock bottom became the solid foundation on which I rebuilt my life.Her thoughts on imagination, which I'll only hint at, are the most powerful part of her talk:
Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathise with humans whose experiences we have never shared.*
Some other commencement speeches that I have enjoyed include Steve Jobs at Stanford (particularly powerful for people with cancer), Jon Stewart at William & Mary and Tony Kushner at Vassar. Oh, wait! -- some dude named Obama came up with a decent one when his friend Teddy Kennedy got sick. Told you I was a university geek.
Friday, June 6, 2008
Secular prayers
He told me, as many others had told me and as I myself had told many others, that he would be "thinking" about me constantly as I confronted this disease.
I was moved, of course, but it also occurred to me how feeble the verb "think" feels in a crisis, and we talked about that for a while. Yet for those of us who aren't sure about god, but are fairly certain that she is not an intercessionary deity (for if she were, why would she heal my tumor, yet afflict the poorest people on earth, or send a cyclone to Burma, or Mugabe to Zimbabwe?), these special "thoughts," these projections of empathy and sympathy and hope, are what we have: a secular form of prayer.
I am grateful for them, as I am for the religious prayers from people for whom praying comes more naturally.
**
I can't resist quoting a cancer survivor's diary here. Confronted with the horrific possibility of losing his stomach, he begins praying. At first, things don't go well:
Time, surely, to get my prayer on.He finally came to a place where he could speak honestly, and it brought some comfort. I'm not quite there yet.That turned out to be a lot like going to the kitchen and deciding to make palladium. I was pretty sure that I couldn't just start asking for stuff. I was pretty sure I didn't even believe in god. I looked up prayer in the dictionary. I looked up prayer in the Catholic Encyclopedia. Interesting, but I didn't feel down with submitting myself to the will of a being I probably didn't believe in.
Finally, I decided that I would just try to say things that were true. The main problem with even this strategy is that it's just about impossible not to be disingenuous when you think you might be talking to god. It's all about making a good impression, and it takes a while--I think it took me a good 30 or 45 minutes of trying to slyly bullshit god--to turn off the part of your brain that's always calculating, the part that makes you act humble to get more dessert, or less cancer, or whatever.
So to my friends who are currently grieving enormous loss, or struggling with deadly illness or temporary disappointment, I am thinking about you, imagining comfort and peace and sending out my secular prayers.
After all, as de Botton says, "God may be dead, but the bit of us that made God continues to stir."
Tuesday, June 3, 2008
'What I've Learned'
It’s hard to describe ALS. If you read the clinical description of amyotrophic lateral sclerosis, you’d think it’s the most horrible disease you can have. But living through it is different than that. Maybe it’s because I have always tried to look on the bright side of things. Maybe it’s because I can still get around somewhat. Maybe it’s the Zoloft. But I figure if you are going to die young, ALS at least affords you the opportunity to do some of the things you always wanted to do. And it gives your friends and the people who love you the opportunity to let you know how they feel while you can still interact with them.This puts a lump in my throat. People can be so brave.
The disease itself is almost surreal. Everything weakens so gradually that you almost get used to it. If I had woken up one day feeling like I feel now, I’d be freaking out. But it’s played out over time. Now I think, Well, I almost didn’t make it up that step. I guess I won’t be able to walk soon. It almost seems like the natural order of things.
Beauty and terror
I have returned again and again to this poem from Robert Hass' Human Wishes:
On Squaw Peak
I don't even know which sadness
it was came up
in me when we were walking down the road to Shirley Lake,
the sun gleaming in snowpatches,
the sky so blue it seemed the light's dove
of some pentecost of blue,
the mimulus, yellow, delicate of petal,
and the pale yellow cinquefoil trembling in the damp
air above the creek,--
and fields of lupine,
the blue blaze of lupine, a swath of paintbrush
sheening it, and so much of it, long meadows
of it gathered out of the mountain air and spilling
down ridge toward the lake it almost looked like
in the wind. I think I must have thought
the usual things: that the flowering season
in these high mountain meadows is so brief, that
the feeling, something like hilarity, of sudden
pleasure when you first come across some tough little plant
you knew you'd see comes because it seems -- I mean
by "it" the larkspur of penstemon curling
arching the reach of its sexual being
up out of a little crack in granite -- to say
that human hunger has a niche up here in the light-cathedral
of the dazzled air. I wanted to tell you
that when the ghost-child died, the three-month dreamer
she and I would never know, I kept feeling that
the heaven it went to was like the inside of a store window
on a rainy day from which you watch the blurred forms
passing in the street. Or to tell you, more terrible,
that when she and I walked off the restlessness
of our misery afterward in the Coast Range hills,
we saw come out of the thicket shyly
a pure white doe. I wanted to tell you I knew
it was a freak of beauty like the law of averages
that killed our child and made us know, as you had said,
that things between lovers, even of longest standing,
can be botched in their bodies, though their wills don't fail.
Still later, on the beach, we watched the waves.
No two the same size. No two in the same arch
of rising up and pouring. But it is the same law.
You shell a pea, there are three plump seeds and one
that's shriveled. You shell a bushelful and you begin
to feel the rhythm of the waves at Limantour,
glittering, jagged, that last bright October afternoon.
It killed something in me, I thought, or froze it,
to have to see where beauty comes from. I imagined
for a long time that the baby, since
it would have liked to smell our clothes to know
what a mother and father would have been,
hovered sometime in our closet and I half expected
to see it there, half-fish spirit, form of tenderness,
a little dead dreamer with open eyes. That was
private sorrow. I tried not to hate my life,
to fear the frame of things. I knew what two people
couldn't say
on a cold November morning in the fog --
you remember the feel of Berkeley winter mornings --
what they couldn't say to each other
was the white deer not seen. It meant to me
that beauty and terror were intertwined so powerfully
and went so deep that any kind of love
can fail. I didn't say it. I think the mountain startled
my small grief. Maybe there wasn't time.
We may have been sprinting to catch the tram
because we had to teach poetry
in that valley two thousand feet below us.
You were running -- Steven's mother, Michael's lover,
mother and lover, grieving, of a girl
about to leave for school and die to you a little
(or die into you, or simply turn away)--
and you ran like a gazelle,
in purple underpants, royal purple,
and I laughed out loud. It was the abundance
the world gives, the more-than-you-bargained-for
surprise of it, waves breaking,
the sudden fragrance of the mimulus at creekside
sharpened by the summer dust.
Things bloom up there. They are
for their season alive in the bright vanishings
of air we ran through.
Monday, June 2, 2008
The necessary ache
An excerpt:
When Sydney, who died on Monday at the age of seventy-three, read a film script, he’d look for one word that would become what he called “the spine” of the story. The word that made up the spine of “Out of Africa,” he told me, was “home.”...That ache, that spine, is of course the center of life itself.
Finding the spine of a story like “Out of Africa” was important to Sydney for many reasons, the most important of which was that it led to what he called “the ache.” ... It is the ache of having one chance at deep love in a lifetime of shallow loves, and losing it too early. It is the ache of perfect, private union destroyed by terrible, worldly circumstance. For Sydney, the ache was about the way that the things we hold most dear always elude us.
Fickle
I'm a dog person, I suppose, but I also love cats, especially our current cat, Prindle. She is big and soft and is spotted in a way that recalls a Holstein, but with beautiful downy grey fur instead of black. Always affectionate, during the worst of my illness she became a constant companion, pressing herself against me during the chills, fevers and horrible wakeful paralyzed stasis of chemo. I became very attached to her, and she to me. When thumbs up is no comfort
This is a recurring concern for me. Although I'm a big believer in positive attitude, in fighting, in living in the present moment, etc., all of these models are imperfect. Worse, some of them can feel punitive if things don't go well -- after all, attitudes don't kill, tumors do. (The Times article page helpfully linked to a metastudy that analyzed studies relating to the influence of psychology on cancer survival and recovery. Bottom line from the abstract: "here is little consistent evidence that psychological coping styles play an important part in survival from or recurrence of cancer. People with cancer should not feel pressured into adopting particular coping styles to improve survival or reduce the risk of recurrence.")
I'll share more of my thoughts on this soon -- as well as some from the late Alice Trillin, who has brilliant thoughts about the limitations of the different "talismans" we use to try to make cancer less scary.
Here's just a little taste from the Times piece:
Dr. Gary M. Reisfield, a palliative care specialist at the University of Florida, Jacksonville, believes that the language used by cancer patients and their supporters can galvanize or constrain them. Over the last 40 years, war has become the most common metaphor, with patients girding themselves against the enemy, doctors as generals, medicines as weapons. When the news broke about Senator Kennedy, he was ubiquitously described as a fighter. While the metaphor may be apt for some, said Dr. Reisfield, who has written about cancer metaphors, it may be a poor choice for others.
“Metaphors don’t just describe reality, they create reality,” he said. “You think you have to fight this war, and people expect you to fight.” But many patients must balance arduous, often ineffective therapy with quality-of-life issues. The war metaphor, he said, places them in retreat, or as losing a battle, when, in fact, they may have made peace with their decisions.
To describe a patient’s process through illness, he prefers the more richly ambiguous metaphor of a journey: its byways, crossroads, U-turns; its changing destinations; its absence of win, lose or fail.
I tend to think of cancer as a "fight," not a journey (facile joke: who'd want to travel to sarcomaland?), but I'm more and more aware of the problems with "fighting." To name just one, I think being too invested in the fight is what makes finishing initial treatment so psychologically difficult for many people, myself included.
I dropped into a pretty black pit of depression when I couldn't actively "fight" for a while. Suddenly my purpose was gone; I couldn't find larger meaning in my ongoing extreme discomfort from the grueling treatment. I am trying to learn from that and I'm working deliberately to think of the illness in different terms, including as a means of growing personally and seeing the world more clearly and meaningfully.
Of course, I'm still childish and I still want to kick the cancer's ass.
***
By the way, myxoid chondrosarcoma (or was it a leiomyosarcoma?) survivor Brian Wickman is quoted extensively in the piece. He's a cool guy. A YouTube video of him speaking to a group that hooks cancer survivors up with each other for rafting and kayaking adventures is here.